Wednesday, July 13, 2011

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Tuesday, January 26, 2010

My Favorite Player

Achievements Beyond Lionel Messi’s “Wildest Dreams”

Lionel Messi has won every award he has been entered for this year, and has stated that it is beyond his “wildest dreams” to have achieved so much.

“This is the best possible way to end a great year for Barcelona and for me,” he said.

“Not in my wildest dreams could I have imagined that I would experience the year I have. Any Barcelona player who hasbeen involved this year deserves to win because what we have achieved is special.”

“I was fortunate to help us to many wins, true, but everything is the product of team work. I was fortunate to be the one to get the goals.”

Messi has stated however that he will not rest, and will continue to strive to improve.

“I will not relax now. I am still very young and I have a lot to live for and a lot to try and achieve. You can always get better.”

http://www.lionelmessiblog.net

Monday, January 25, 2010

cycle life has changed

My life cycle has changed lately. my activities I do at night and I did my break in the morning. I have been addicted to playing poker until daybreak. If not playing poker I spend time watching movies until midnight. I often do not attend the lectures and makes me not graduating this semester and must restart it in the next semester, thypus disease twice, bathe in the afternoon, and much more detrimental effect my self. I do not know how long it should be like this? hopefully I can change and be better .......

Friday, January 22, 2010

Squad



http://www.fcbarcelona.cat/web/english/futbol/temporada_09-10/plantilla/plantilla.html

Camp Nou Stadium


Brief history


You can tell a lot about the success or decadence of a sports club from the type of facilities it uses. In terms of FC Barcelona, the club’s history can be clearly be divided into three main stages.

In the early days, the club constantly switched between different grounds. In the second stage, the club was consolidated by finding a permanent home at Les Corts. And the third stage, and the construction of the Camp Nou, reflects the expansion and grandeur of the club on a global scale.

The old Les Corts ground, inaugurated in 1922, was remodelled several times in order to find room for Barça’s constantly growing fan base. After the Spanish Civil War, the club started attracting more and more members every year, which also meant a considerably larger number of spectators at matches. This increased support was the inspiration for several expansion projects, of the south goal (1946), the north goal (1950), and the grandstand’s capacity (1944). But it was becoming patently evident that what the club really needed to do was build a completely new stadium, and therefore the board of directors combined these improvements to Les Corts with plans to make the dream of a new stadium a reality.

The need for a new stadium

From 1948, people were more and more keen on the idea of building a completely new ground, but this was not an easy thing to do, and it was necessary to convince the local authorities that a new stadium would be able to fit in with the plans at the time to develop the upper area of the Diagonal.

It is often said that what finally convinced the board that there was no other option than the construction of a new ground was the arrival of the now legendary Ladislau Kubala, one of the finest players ever to appear for FC Barcelona. And although there can be no doubting that Kubala attracted more interest than ever in the team and meant the club’s spirits hit a new high, the decision to build was inspired just as much by the two League titles won in 1947-48 and 1948-49, which was before the great Hungarian had signed for the club.
In fact, the first solid step towards a new stadium came in September 1950, fifteen days before Kubala played his first friendly match wearing his new Barça colours. It was then that the president of the time, Agustí Montal y Galobart, signed an option to purchase a site in the area known as La Maternidad, an option that was to be taken up just two months later.

What followed was a turbulent period, as the Camp Nou commission decided on February 9, 1951 to change the location of the future stadium to the area at the top of the Diagonal, and this led to a series of sterile negotiations with the Authorities that did not seem to be getting anywhere. The matter seemed to have been shelved for good when Francesc Miró-Sans won the FC Barcelona presidential elections on November 14, 1953. The new president was a fervent supporter of the idea of building a new stadium as soon as possible and one of the first things he did after coming into office on February 18, 1954 was to locate the future stadium on the site purchased in 1950, rather than at the top end of the Diagonal. And so, on March 28, before a crowd of 60,000 Barça fans, the first stone of the future Camp Nou was laid in place under the presidency of civil governor Felipe Acedo Colunga and with the blessing of the Archbishop of Barcelona, Gregorio Modrego.

The construction (1954-1957)

The architects of the new stadium were Francesc Mitjans Miró, cousin of Miró-Sans, and Josep Soteras Mauri, with the collaboration of Lorenzo García Barbón. More than a year later, on July 11, 1955, the club commissioned the construction work to the INGAR SA company, who estimated the project at 66,620,000 pesetas, claiming it would take 18 months to complete. However, the stadium would eventually cost an awful lot more than the original estimate, eventually totalling around 288 million pesetas, an amount that would need to be covered by successive issues of mortgage obligations ((100 million pesetas) and short term bonds (60 million pesetas). This measure meant the construction of the stadium could be financed, but would leave the club in heavy debt for many years after.

The inauguration

The date on which the stadium was to be inaugurated was September 24, 1957. A special commission was organised whose task was to organise the kind of opening ceremony that the occasion warranted, with two people in charge of the operation: Aleix Buxeres (public relations) and Nicolau Casaus (organisation). In the Barcelona City Council’s Salón de las Crónicas, on Saturday September 21, José María de Cossío, a member of the Real Academia Española, solemnly declared the celebrations of the inauguration of the new stadium open. That same September weekend, a series of international matches were played at Les Corts and the Palacio Municipal de Deportes involving the club’s different sports teams. Those days will go down in club history, and were set to words by the great poet Josep M. de Sagarra in his sonnet titled 'Azul Grana', while an anthem was written in honour of the new FC Barcelona stadium, with Josep Badia putting the words to Adolf Cabané’s music.

On the day of the 1957 Mercè Festival, the city was decked out in the FC Barcelona colours. The celebrations continued with the holding of a solemn mass and the blessing of the stadium by the Archbishop of Barcelona, Gregorio Modrego. The Orfeón Graciense choir then performed Händel’s ‘Hallelujah’ while the image of the Virgin of Montserrat was exalted. The president’s box was packed with the most important personages of the sporting and political worlds of the period, including club president Francesc Miró-Sans; José Solís Ruiz, general secretary for Movement, which was the equivalent of the ministry of sport at the time; José Antonio Elola Olaso, head of the National Delegation of Sportspeople; Felipe Acedo, civil governor of Barcelona, and Josep M. de Porcioles, Mayor of Barcelona.

Although work on the stadium was not yet complete, more than 90,000 spectators were able to witness the event, which continued with representatives of all the major football clubs in Catalonia parading on the pitch, as well as members of the club’s other sports teams and the supporters clubs. The new Stadium Anthem was then performed and the first game to be played at the Camp Nou kicked off at half past four in the afternoon. FC Barcelona played a friendly against Polish side Warsaw. The first Barça line-up ever to appear at the Camp Nou featured: Ramallets, Olivella, Brugué, Segarra, Vergés, Gensana, Basora, Villaverde, Martínez, Kubala and Tejada. A different eleven took to the field in the second half: Ramallets, Segarra, Brugué, Gràcia, Flotados, Bosch, Hermes, Ribelles, Tejada, Sampedro and Evaristo. Barça won the match 4-2 with goals from Eulogio Martínez (whose 11th minute strike was the first goal ever at the Camp Nou), Tejada, Sampedro and Evaristo. At half time, 1,500 members of the Agrupación Cultural Folclórica de Barcelona danced a huge sardana and freed 10,000 doves. And so it was that a brand new period in the history of FC Barcelona had begun.


http://www.fcbarcelona.com/web/english/club/historia/historia.html

FC Barcelona History

The colours

One of the most distinctive elements of FC Barcelona are the colours the players wear.

Scarlet and blue have featured on the club shirt for more than one hundred years and the club is widely known as the ‘Blaugrana’ in reference to the names of these colours in the Catalan language. However, although the shirt has remained relatively constant in design over the years, the team shorts were white for the first ten years of club history, then switched to black, and were only blue from the 1920s onwards.

Nut just why Barça originally chose to wear these shirt colours has been matter of much debate among club historians, and although several theories have been put forward, nobody has ever managed to provide substantial evidence that the colours were chosen for any symbolic reason. Naturally, most of the theories are related to the foundation and origins of the club. For instance, it was claimed for several years that the Barça colours were adopted from a Swiss club that Gamper had founded earlier in his life, or that they were the colours of the Swiss canton that the founder was from. We now know that these hypotheses are highly unlikely to be true.

There is another common but unproven theory that the founders based their choice on the colours of the blue and red accountancy pencils that were so popular at the time. And there are other more prosaic suggestions, for instance the one which maintains that the mother of the Comamala brothers supplied the players with red and blue sashes so that they could differentiate between each other in the days before they had a kit of their own. But, as stated earlier, none of these theories have ever managed to offer conclusive evidence of why it was that Barça used these colours from its very earliest days. But what can be sure is that the Barça shirt has gone on to be one of the most recognisable and enigmatic shirt designs in world football.

The crest

There are few elements that symbolise an organised group more than its crest.

From the very moment Barça was founded, the club had its own emblem that the players proudly wore on their shirts. It was the coat of arms of the city of Barcelona, a diamond shape divided into four quarters, with a crown and a bat on top, and surrounded by two branches, one of a laurel tree and the other a palm. This, even at such an early stage, was a way of expressing the club’s link to the city in which it was born.

This crest remained unchanged until 1910. Shortly after Gamper had saved the club from serious crisis in 1908, a decision was made to give the club its own differentiated crest. In 1910, the club held a competition between all the members interested in presenting proposals. The winner was Carles Comamala, who played for the club between 1903 and 1912, and was a medicine student at the time, as well as being a fine artist. And so the crest that the club wears to this day was created, although there have been a few variations. It is a bowl-shaped design, in which the two upper quarters maintain the St George Cross and the red and yellow bars of the original, which are the most representative symbols of Barcelona and Catalonia. The club initials FCB appear on a strip across the centre, and below are the Barça colours and a ball. So, what we have is a crest that honours the sporting dimension of the club as well as its connection to its city and country.

Since 1910, the changes made to the design have been minimal, generally just modifying the aesthetics and the patterns used for the outline. The biggest changes came about as a result of political obligations. When Franco came to power, the letters FCB were replaced by CFB, to reflect the way the club was forced to use the Spanish version of its name. The dictatorship also obliged the club to remove two of the four bars from one of the upper quarters, thus excluding the Catalan flag from the crest. On occasion of the club’s 50th anniversary in 1949, the four bars returned. The original letters were not recovered until late 1974, when the crest reverted to the original 1910 design.

The present crest is based on an adaptation made by designer Claret Serrahima in 2002, in which the lines are a little more stylised, the dots between the letters have been taken away, the name has been made smaller, and there are fewer pointed edges. The lines in this latest design are somewhat simpler, to make it easier for the crest and the club’s corporate identity to be reproduced in all the different formats.

The anthems


It has become a fully established club tradition that in the build up to games at the Camp Nou, the club anthem, called ‘El Cant del Barça' is played on the stadium loudspeaker system, and all the fans sing along in unison.

It was first performed on November 27, 1974, before the game that marked the end of the 75th anniversary celebrations. A choir of 3,600, conducted by Oriol Martorell, gathered on the pitch for the very first public performance of the new anthem. The words were written by Josep Maria Espinàs and Jaume Picas, and the music was composed by Manuel Valls. The song quickly grew in popularity. The fans loved the fact that they could clap their hands in time to its catchy rhythm, and the words perfectly depicted the values of supporting Barça, especially the spirit of welcoming outsiders into Catalan society, a spirit that is reflected all the way through the club membership.

However, this is not the only anthem the club has had over the years. The first was unveiled on February 18, 1923, with words by Rafael Folch i Capdevila and music by Enric Morera. It was performed by the Orfeó Gracienc choir, for the first time at the old Les Corts stadium as part of Catalan football tribute to Joan Gamper. In keeping with the grandiloquent mood of the times, the words described the relationship between “sport and the Catalan nation ”.

veu_cas Anthem 1923

Later, on occasion of the 50th anniversary, Esteve Calzada wrote the words for a new anthem, which was set to music by Joan Dotras. It was called 'Barcelona, sempre amunt!' (‘Always up with Barcelona!), and despite the political climate of the period, it was written in Catalan.

veu_cas Anthem 1949

Josep Badia, in 1957, also used Catalan in the words to a third anthem, 'Himne a l’Estadi' (Anthem for the Stadium’), for the inauguration of the Camp Nou. This was the first time that the word 'Barça' appeared in a club anthem, for which the music was composed by Adolf Cabané.

veu_cas Anthem 1957

‘El Cant del Barça' has been so successful that all the previous anthems were soon forgotten, even 'Himne de l’Estadi', which was the official tune in 1974. And it has now become such a part of club tradition that 30m years later, nobody could possibly imagine there to be any need for a new anthem. An anthem was written for the Club Centenary, called 'Cant del Centenari', first performed on September 22, 1998, with words by Ramon Solsona and music by Antoni Ros Marbà, but it was made clear from the start that the song was only going to be used within the context of those celebrations.



http://www.fcbarcelona.com/web/english/club/historia/historia.html